I'm sean. This is me, away from all the tech stuff.
Mostly music gigs, occasionally something else to spice things up.
note: dates using the Holocene Calendar
The roundhouse, as the name suggests, is round, and gives off circus vibes. This is the second show I've been to where there are 2 backup dancers dancing around, they still feel a bit weird... The lighting felt on point, cementing our focus on Banks. Alternating between high energy and slow (love?) songs, overall a bit of a throwback for me (Gemini Feed).
A cozy little bar, a little reminiscent of times past. Halfway bwteen acoustic and rock.
Outdoor festival, and with a song catalogue that's a bit ethereal. Hannah forgetting the lyrics to a song (and feeling bad about it) is fine, the joy she shows when the crowd also forgets the lyrics to another song makes it much more human. Front centre.
A theatre show, superfically about playwrights, but maybe really about feelings around success (or lack thereof). I went into this blind, having picked the show based on the lead Emilia Clarke. There are no fancy settings, just a box, chairs and actors who never leave the stage.
Seated centre back in an arena full of screaming teenage girls (and their guardians)... The songs flowed well into each other, and even with the high production experience, it didn't feel artificial or detached. With a crowd this size, they could just be an amorphous blob, but it didn't really feel that way, maybe except when she stands to take in the adoration showered onto her. Bonus points for coming out much closer to the crowds in a swinging crane arm.
We're into the more mainstream hyperpop territory, and it shows. Polished high production with more focus on the performance and spectacle, less on the music and crowd. Front centre right.
In a female domninated (90+%?) audience, I stuck towards the back of the crowd near the sound tech. Fletcher certainly knew who her fans were, addressing the crowd directly.
After a pandemic and a move to country with way more events, guess who's back first? Around mid centre in the crowds, the enegery is as high as ever.
This time I actually knew the openers: Halflives were very similar to ATC, working up the crowd in a similar fashion (high energy bounces). Yours Truly had a slightly stronger metal lean(?), I think it took a while for people to recognize them from their songs.
ATC again, this time I got VIP tickets because why not? That got me a 2(?) acoustic performances, a poster, and a photo op. In the crowd, close to front, the energy levels are high.
One of the first bands I learned to recognize by name, for this show I sat on the upper floot and mostly just enjoyed the music. Chrissy is a bundle of energy bouncing around the front of the stage.